A Study in AestheticsG. Allen & Unwin, 1931 - 415 pagine |
Dall'interno del libro
Risultati 1-3 di 43
Pagina 83
... tion of the expressiveness of sensa , because this will supple- ment what we had to say about sensuous expressiveness in the previous section . There , having to limit ourselves to the expressiveness of simple colours and sounds , we ...
... tion of the expressiveness of sensa , because this will supple- ment what we had to say about sensuous expressiveness in the previous section . There , having to limit ourselves to the expressiveness of simple colours and sounds , we ...
Pagina 107
... tion . We have a natural interest in what is rare and affects us with unusual sensations . What comes from a far country carries our thoughts there , and gains by the wealth and picturesqueness of its associations . And that on which ...
... tion . We have a natural interest in what is rare and affects us with unusual sensations . What comes from a far country carries our thoughts there , and gains by the wealth and picturesqueness of its associations . And that on which ...
Pagina 122
... tion as well as conation and hedonic tone . Indeed , valuations may be divided into two grades , according to the level of complexity or otherwise of the cognitive aspects . If , on the one hand , the cognitive aspect is confined to a ...
... tion as well as conation and hedonic tone . Indeed , valuations may be divided into two grades , according to the level of complexity or otherwise of the cognitive aspects . If , on the one hand , the cognitive aspect is confined to a ...
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Parole e frasi comuni
activity aesthetic experience aesthetic expression aesthetic fusion aesthetic imagination aesthetic object appear appreciation apprehend Aristotle artist asserted association beauty and ugliness body called certainly Chapter character classicism Clive Bell cognised colours common complex conscious contemplation course critic Croce degrees difficult drama effect embodied emotions essential example exist fact feeling fulfilment function fused hand human I. A. Richards idea imagination imitation implies important interest kind knowledge Lascelles Abercrombie Martin Secker matter meaning mental merely mind moral nature non-aesthetic ontological organic painting perceived object perception perhaps perspective philosopher picture poem poetry pornography possess possible primary subject-matter problem programme music proposition psychological question realise reality relation revealed romanticism sensa sense sense data sensuous significance sometimes sounds speaking suggest teleological tendency terminal object tertiary subject-matter theory things tion tragedy true truth unity unpleasant values vision words