Oxford University Press, USA, 20 apr 2006 - 320 pagine
Published in its first edition in 1983, Boyd's treatment of this canonical composer is essential reading for students, scholars, and everyone interested in Baroque music. In this third edition, biographical chapters alternate with commentary on the works, to demonstrate how the circumstances of Bach's life helped to shape the music he wrote at various periods. We follow Bach as he travels from Arnstadt and Muhlhausen to Weimar, Cothen, and finally Leipzig, these journeys alternating with insightful discussions of the great composer's organ and orchestral compositions. As well as presenting a rounded picture of Bach, his music, and his posthumous reputation and influence, Malcolm Boyd considers the sometimes controversial topics of "parody" and arrangement, number symbolism, and the style and meaning of Bach's late works. Recent theories on the constitution of Bach's performing forces at Leipzig are also present. The text and the appendixes (which include a chronology, personalia, bibliography, and a complete catalogue of Bach's works) were thoroughly revised in this edition to take account of more recent research undertaken by Bach scholars, including the gold mine of new information uncovered in the former USSR.
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1 Background and Early Years 16851703
2 Arnstadt Mühlhausen 17038
3 Weimar 170817
4 Organ Music
5 Cöthen 171723
6 Orchestral Instrumental and Keyboard Music
7 Leipzig 172330
8 Music for the Leipzig Liturgy
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Anna Magdalena appointed aria Arnstadt Art of Fugue Bach’s Bach’s music bars born C. P. E. Bach canon capo chorale melody chorus Christian Christmas church cantatas church music clavier collegium composer concerto continuo Cothen council court da capo aria Dresden Duke Easter Eisenach Fantasia ﬁnal ﬁnd ﬁrst ﬁve ﬂute Franck Friedemann Friedrich genre German Gott Gottfried harpsichord Herr Jesu Christ hymn included inﬂuence instruments Italian Johann Christoph Johann Ernst Johann Sebastian Bach Kantor Kapellmeister keyboard later Leipzig Leopold Liineburg major Miihlhausen minor Mizler motets movements musician musicum Nikolaikirche oboe Ohrdruf opera Oratorio orchestral organ music organist original parody partita pedals performed Picander pieces Prelude and Fugue Prince recitative reﬂect Rektor ritornello Seele Sinfonias solo sonatas Spitta St Matthew Passion style suites Telemann thalers theme Thomaskirche Thomasschule Toccata Trinity trio variations violin Vivaldi Weimar Weissenfels Wilhelm