The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 93
Pagina 44
... art does - is a proposition that cannot be executed except with one's tongue in one's cheek . Art is appreciated precisely because it is recognized as a farce . It is this trait more than any other ... artists . Art has no right 44.
... art does - is a proposition that cannot be executed except with one's tongue in one's cheek . Art is appreciated precisely because it is recognized as a farce . It is this trait more than any other ... artists . Art has no right 44.
Pagina 108
... painting in depth with rare power . But it is a mistake to confuse the painting of depth with that of hollow space or empty concavity . The former is only a more learned way of asserting volume . On the other hand , the latter is a ...
... painting in depth with rare power . But it is a mistake to confuse the painting of depth with that of hollow space or empty concavity . The former is only a more learned way of asserting volume . On the other hand , the latter is a ...
Pagina 112
... painter has thrown his head back , half - closed his eyelids , and between them has pulverized the proper form of ... painting of bulk has been definitively transformed into the painting of hollow space . 1. If we look at an empty ...
... painter has thrown his head back , half - closed his eyelids , and between them has pulverized the proper form of ... painting of bulk has been definitively transformed into the painting of hollow space . 1. If we look at an empty ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
abstract action adventures aesthetic animal appear artist authentic become begins body called canvas casuistry century cerning character chiaroscuro classical contemplation cubism culture DEHUMANIZATION derealized Descartes destiny distance distant vision Don Quixote Dostoevski drama El Espectador El Greco essay everything existence fact feel fin de siècle French genre gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest less light literary live look magic man's masses means metaphor mind modern art never novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture pleasure poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility shipwrecked soul Stendhal style substance Tale of Genji things thought Tintoretto tion TOKLAS traditional truth unity universe Velásquez vital vocation Weimar words young youth