The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
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Pagina 111
... Descartes , Hume and Kant in philo- sophic thought . The eye of the artist is established as the center of the plastic Cosmos , around which revolve the forms of objects . Rigidly , the ocular Point of View in the Arts 111.
... Descartes , Hume and Kant in philo- sophic thought . The eye of the artist is established as the center of the plastic Cosmos , around which revolve the forms of objects . Rigidly , the ocular Point of View in the Arts 111.
Pagina 173
... Descartes , claimed , the same as to be a thinking thing , we should find ourselves holding that man , by being endowed once and for all with thought , by possessing it with the certainty with which a constitutive and inalienable ...
... Descartes , claimed , the same as to be a thinking thing , we should find ourselves holding that man , by being endowed once and for all with thought , by possessing it with the certainty with which a constitutive and inalienable ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
abstract action adventures aesthetic animal appear artist authentic become begins body called canvas casuistry century cerning character chiaroscuro classical contemplation cubism culture DEHUMANIZATION derealized Descartes destiny distance distant vision Don Quixote Dostoevski drama El Espectador El Greco essay everything existence fact feel fin de siècle French genre gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest less light literary live look magic man's masses means metaphor mind modern art never novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture pleasure poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility shipwrecked soul Stendhal style substance Tale of Genji things thought Tintoretto tion TOKLAS traditional truth unity universe Velásquez vital vocation Weimar words young youth