The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
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Pagina 107
... El Greco , an in- termediate stage . How shall we define it ? In Tintoretto and El Greco two epochs meet . Hence the anxiety , the restlessness that marks the work of both . These are the last representatives of painting in bulk , and ...
... El Greco , an in- termediate stage . How shall we define it ? In Tintoretto and El Greco two epochs meet . Hence the anxiety , the restlessness that marks the work of both . These are the last representatives of painting in bulk , and ...
Pagina 108
... El Greco represents something of a regression . I believe that his modernity and his nearness to Velásquez has been exaggerated . El Greco is still chiefly preoccupied with volume . The proof is that he may be accounted the last great ...
... El Greco represents something of a regression . I believe that his modernity and his nearness to Velásquez has been exaggerated . El Greco is still chiefly preoccupied with volume . The proof is that he may be accounted the last great ...
Pagina 109
... El Greco another unifying element : chiaroscuro . X THE CHIAROSCURISTS Raphael's composition , El Greco's dynamic schema , are postulates of unity that the artist throws upon his canvas ; -but nothing more . Every object in the picture ...
... El Greco another unifying element : chiaroscuro . X THE CHIAROSCURISTS Raphael's composition , El Greco's dynamic schema , are postulates of unity that the artist throws upon his canvas ; -but nothing more . Every object in the picture ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
abstract action adventures aesthetic animal appear artist authentic become begins body called canvas casuistry century cerning character chiaroscuro classical contemplation cubism culture DEHUMANIZATION derealized Descartes destiny distance distant vision Don Quixote Dostoevski drama El Espectador El Greco essay everything existence fact feel fin de siècle French genre gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest less light literary live look magic man's masses means metaphor mind modern art never novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture pleasure poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility shipwrecked soul Stendhal style substance Tale of Genji things thought Tintoretto tion TOKLAS traditional truth unity universe Velásquez vital vocation Weimar words young youth