The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 27
Pagina 60
... Hence the fresh taste of all impressionistic paint- ing . We seem to see the objects of the picture in a perpetual status nascendi . In the career of every thing there are two moments of supreme drama : birth and death - status nascens ...
... Hence the fresh taste of all impressionistic paint- ing . We seem to see the objects of the picture in a perpetual status nascendi . In the career of every thing there are two moments of supreme drama : birth and death - status nascens ...
Pagina 80
... Hence it appears that those elements which seem to disturb pure contemplation - interests , senti- ments , compulsions , affective preferences - are pre- cisely its indispensable instruments . Any human destiny that does not labor under ...
... Hence it appears that those elements which seem to disturb pure contemplation - interests , senti- ments , compulsions , affective preferences - are pre- cisely its indispensable instruments . Any human destiny that does not labor under ...
Pagina 127
... Hence I no longer be- lieve in any ideas except the ideas of shipwrecked men . We must call the classics before a court of shipwrecked men to answer certain peremptory questions with reference to real life . How would Goethe look before ...
... Hence I no longer be- lieve in any ideas except the ideas of shipwrecked men . We must call the classics before a court of shipwrecked men to answer certain peremptory questions with reference to real life . How would Goethe look before ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
abstract action adventures aesthetic animal appear artist authentic become begins body called canvas casuistry century cerning character chiaroscuro classical contemplation cubism culture DEHUMANIZATION derealized Descartes destiny distance distant vision Don Quixote Dostoevski drama El Espectador El Greco essay everything existence fact feel fin de siècle French genre gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest less light literary live look magic man's masses means metaphor mind modern art never novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture pleasure poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility shipwrecked soul Stendhal style substance Tale of Genji things thought Tintoretto tion TOKLAS traditional truth unity universe Velásquez vital vocation Weimar words young youth