The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
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Pagina 142
... Italy , whether he is poet , painter , or scientist , and writing from Rome on March 14 , 1788 : " For the first time I have found myself and am happily in harmony with myself . ” And the most serious aspect of the case is that even ...
... Italy , whether he is poet , painter , or scientist , and writing from Rome on March 14 , 1788 : " For the first time I have found myself and am happily in harmony with myself . ” And the most serious aspect of the case is that even ...
Pagina 191
... Italy A39 A236 Selected Letters of D. H. Lawrence ( Edited by Diana Trilling ) Studies in Classic American Literature A5 LERMONTOV , MIHAIL A Hero of Our Time A133 LEWIS , D. B. WYNDHAM François Villon A147 LEWIS , W. H. The Splendid ...
... Italy A39 A236 Selected Letters of D. H. Lawrence ( Edited by Diana Trilling ) Studies in Classic American Literature A5 LERMONTOV , MIHAIL A Hero of Our Time A133 LEWIS , D. B. WYNDHAM François Villon A147 LEWIS , W. H. The Splendid ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
abstract action adventures aesthetic animal appear artist authentic become begins body called canvas casuistry century cerning character chiaroscuro classical contemplation cubism culture DEHUMANIZATION derealized Descartes destiny distance distant vision Don Quixote Dostoevski drama El Espectador El Greco essay everything existence fact feel fin de siècle French genre gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest less light literary live look magic man's masses means metaphor mind modern art never novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture pleasure poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility shipwrecked soul Stendhal style substance Tale of Genji things thought Tintoretto tion TOKLAS traditional truth unity universe Velásquez vital vocation Weimar words young youth