The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
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Pagina 4
... Romanticism , al- though a frequently cited example , is , as a sociolog- ical phenomenon , exactly the opposite of the pres- ent situation of art . Romanticism was very quick in winning " the people " to whom the old classical art had ...
... Romanticism , al- though a frequently cited example , is , as a sociolog- ical phenomenon , exactly the opposite of the pres- ent situation of art . Romanticism was very quick in winning " the people " to whom the old classical art had ...
Pagina 40
... Romanticism to this day cannot be understood unless this nega- tive mood of mocking aggressiveness is taken into account as a factor of aesthetic pleasure . Baudelaire praises the black Venus precisely because the clas- sical is white ...
... Romanticism to this day cannot be understood unless this nega- tive mood of mocking aggressiveness is taken into account as a factor of aesthetic pleasure . Baudelaire praises the black Venus precisely because the clas- sical is white ...
Pagina 136
... Romanticism means : the " developed in my various expositions of perspectivism ( though today I prefer to use more dynamic and less intellectual terms than this ) . Life as the confrontation of the I and its environment ( cf. p . 43 ) ...
... Romanticism means : the " developed in my various expositions of perspectivism ( though today I prefer to use more dynamic and less intellectual terms than this ) . Life as the confrontation of the I and its environment ( cf. p . 43 ) ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
abstract action adventures aesthetic animal appear artist authentic become begins body called canvas casuistry century cerning character chiaroscuro classical contemplation cubism culture DEHUMANIZATION derealized Descartes destiny distance distant vision Don Quixote Dostoevski drama El Espectador El Greco essay everything existence fact feel fin de siècle French genre gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest less light literary live look magic man's masses means metaphor mind modern art never novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture pleasure poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility shipwrecked soul Stendhal style substance Tale of Genji things thought Tintoretto tion TOKLAS traditional truth unity universe Velásquez vital vocation Weimar words young youth