The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 11
Pagina 63
... Spanish theater . TWO THEATERS Not many things illuminate the finer points of the diversity of French and Spanish destinies so well as the difference of structure between the classical French theater and the indigenous Spanish theater ...
... Spanish theater . TWO THEATERS Not many things illuminate the finer points of the diversity of French and Spanish destinies so well as the difference of structure between the classical French theater and the indigenous Spanish theater ...
Pagina 64
... Spanish theater psycho- logical anatomy of sentiments and characters is infrequent or at least unimportant . Sentiments and characters are taken from without as a whole and used as a springboard from which the drama or adventure takes ...
... Spanish theater psycho- logical anatomy of sentiments and characters is infrequent or at least unimportant . Sentiments and characters are taken from without as a whole and used as a springboard from which the drama or adventure takes ...
Pagina 68
... Spanish theater one must not open one's eyes wide as though following the pure line of a profile , but rather keep them half shut with a painter's gesture , with the gesture of Velásquez looking at the Meninas , the dwarfs , and the ...
... Spanish theater one must not open one's eyes wide as though following the pure line of a profile , but rather keep them half shut with a painter's gesture , with the gesture of Velásquez looking at the Meninas , the dwarfs , and the ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention become begins believe body called cause century character classical clear consists contemplation contrary culture definition DEHUMANIZATION destiny direction distance drama effect elements essential event everything existence fact feel figures follow gifts give Goethe hand happening Hence horizon human ideas important individual inner interest invent less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture point of view possess possible precisely present problems produce pure reader reality realize reason relation remains seems seen sense sensibility soul space Spanish speak stand style theater things thought tion traditional truth turn understand universe vision vital vocation whole young