The Dehumanization of Art, and Other Writings on Art and Culture |
Dall'interno del libro
Risultati 1-3 di 10
Pagina 63
But this question deserves more comment , and it invites us to seek further
orientation through a comparison of the classical French theater with the
indigenous Spanish theater . TWO THEATERS Not many things illuminate the
finer points of ...
But this question deserves more comment , and it invites us to seek further
orientation through a comparison of the classical French theater with the
indigenous Spanish theater . TWO THEATERS Not many things illuminate the
finer points of ...
Pagina 64
The author and his audience enjoy not so much the passions and the
consequent dramatic entanglements of the personages as the analysis of those
passions ; whereas in the Spanish theater psychological anatomy of sentiments
and ...
The author and his audience enjoy not so much the passions and the
consequent dramatic entanglements of the personages as the analysis of those
passions ; whereas in the Spanish theater psychological anatomy of sentiments
and ...
Pagina 165
Our Spanish word otro ( other ) is nothing but the Latin alter . To say , then , that
the animal lives not from itself but from what is other than itself , pulled and
pushed and tyrannized over by that other , is equivalent to saying that the animal
...
Our Spanish word otro ( other ) is nothing but the Latin alter . To say , then , that
the animal lives not from itself but from what is other than itself , pulled and
pushed and tyrannized over by that other , is equivalent to saying that the animal
...
Cosa dicono le persone - Scrivi una recensione
Nessuna recensione trovata nei soliti posti.
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention become begins believe body called cause century character classical clear consists contemplation contrary culture definition destiny direction distance drama effect elements essential event everything existence fact feel figures follow French gifts give Goethe hand happening Hence horizon human ideas important individual inner interest less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture play point of view possess possible precisely present problems produce pure reader reality realize reason relation remains seems seen sense sensibility soul space Spanish speak stand style theater things thought tion traditional truth turn understand universe vision vital vocation whole young