The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-2 di 2
Pagina 107
... Tintoretto and El Greco , an in- termediate stage . How shall we define it ? In Tintoretto and El Greco two epochs meet . Hence the anxiety , the restlessness that marks the work of both . These are the last representatives of painting ...
... Tintoretto and El Greco , an in- termediate stage . How shall we define it ? In Tintoretto and El Greco two epochs meet . Hence the anxiety , the restlessness that marks the work of both . These are the last representatives of painting ...
Pagina 108
... Tintoretto is an extreme ex- ample of this inner tension , in which distant vision is already on the point of victory . In the canvases of the Escorial he constructs great empty spaces . But in this undertaking he is forced to lean on ...
... Tintoretto is an extreme ex- ample of this inner tension , in which distant vision is already on the point of victory . In the canvases of the Escorial he constructs great empty spaces . But in this undertaking he is forced to lean on ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention become begins believe body called cause century character classical clear consists contemplation contrary culture definition DEHUMANIZATION destiny direction distance drama effect elements essential event everything existence fact feel figures follow gifts give Goethe hand happening Hence horizon human ideas important individual inner interest invent less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture point of view possess possible precisely present problems produce pure reader reality realize reason relation remains seems seen sense sensibility soul space Spanish speak stand style theater things thought tion traditional truth turn understand universe vision vital vocation whole young