The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
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Pagina 108
... Velásquez has been exaggerated . El Greco is still chiefly preoccupied with volume . The proof is that he may be accounted the last great foreshortener . He does not seek empty space ; in him there re- mains the intention to capture the ...
... Velásquez has been exaggerated . El Greco is still chiefly preoccupied with volume . The proof is that he may be accounted the last great foreshortener . He does not seek empty space ; in him there re- mains the intention to capture the ...
Pagina 111
... Velásquez . The primitive , enamoured of objective shapes , seeks them arduously with his tactile gaze , touches them , embraces them . The chiaroscurist , already less taken with corporeality , lets his ray of vision travel , as along ...
... Velásquez . The primitive , enamoured of objective shapes , seeks them arduously with his tactile gaze , touches them , embraces them . The chiaroscurist , already less taken with corporeality , lets his ray of vision travel , as along ...
Pagina 113
... Velásquez , the moderating principles of the Renaissance per- sisted . The innovation did not appear in all its radicalism until the Impressionists and Post - Im- pressionists . The premises formulated in our first paragraphs may seem ...
... Velásquez , the moderating principles of the Renaissance per- sisted . The innovation did not appear in all its radicalism until the Impressionists and Post - Im- pressionists . The premises formulated in our first paragraphs may seem ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
abstract action adventures aesthetic animal appear artist authentic become begins body called canvas casuistry century cerning character chiaroscuro classical contemplation cubism culture DEHUMANIZATION derealized Descartes destiny distance distant vision Don Quixote Dostoevski drama El Espectador El Greco essay everything existence fact feel fin de siècle French genre gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest less light literary live look magic man's masses means metaphor mind modern art never novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture pleasure poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility shipwrecked soul Stendhal style substance Tale of Genji things thought Tintoretto tion TOKLAS traditional truth unity universe Velásquez vital vocation Weimar words young youth