The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 17
Pagina 140
... abstract ethics is substituted the inner , concrete , vital imperative . Man recognizes his I , his unique vocation , only through the liking or aversion aroused in him by each separate situation . Unhappiness , like the needle of a ...
... abstract ethics is substituted the inner , concrete , vital imperative . Man recognizes his I , his unique vocation , only through the liking or aversion aroused in him by each separate situation . Unhappiness , like the needle of a ...
Pagina 164
... abstract oneself in reflection . Almost all the world is in tumult , is beside itself , and when man is beside himself he loses his most essen- tial attribute : the possibility of meditating , or withdrawing into himself to come to ...
... abstract oneself in reflection . Almost all the world is in tumult , is beside itself , and when man is beside himself he loses his most essen- tial attribute : the possibility of meditating , or withdrawing into himself to come to ...
Pagina 165
José Ortega y Gasset. comparing them with ourselves , anything but gross , abstract differences , vague by their very extremity . But the ape is so like ourselves that it invites us to pursue the comparison , to discover more concrete ...
José Ortega y Gasset. comparing them with ourselves , anything but gross , abstract differences , vague by their very extremity . But the ape is so like ourselves that it invites us to pursue the comparison , to discover more concrete ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
abstract action adventures aesthetic animal appear artist authentic become begins body called canvas casuistry century cerning character chiaroscuro classical contemplation cubism culture DEHUMANIZATION derealized Descartes destiny distance distant vision Don Quixote Dostoevski drama El Espectador El Greco essay everything existence fact feel fin de siècle French genre gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest less light literary live look magic man's masses means metaphor mind modern art never novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture pleasure poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility shipwrecked soul Stendhal style substance Tale of Genji things thought Tintoretto tion TOKLAS traditional truth unity universe Velásquez vital vocation Weimar words young youth