The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 22
Pagina 74
... action and plot may play a minor part in a modern novel , but that they cannot be entirely dispensed with . They fulfill the same function - a mechanical func- tion , it is ... actions . Compared with a concrete action , which moves 74.
... action and plot may play a minor part in a modern novel , but that they cannot be entirely dispensed with . They fulfill the same function - a mechanical func- tion , it is ... actions . Compared with a concrete action , which moves 74.
Pagina 75
José Ortega y Gasset. actions . Compared with a concrete action , which moves as fast as possible toward a conclusion , at- mosphere signifies something diffuse and at rest . Action carries us away in its dramatic course ; at ...
José Ortega y Gasset. actions . Compared with a concrete action , which moves as fast as possible toward a conclusion , at- mosphere signifies something diffuse and at rest . Action carries us away in its dramatic course ; at ...
Pagina 179
... action is not a random fisticuffs with the things around us or with our fellow men : that is the infrahuman , that is subjection to the other . Action is to act upon the material environment or upon other men in accordance with a ...
... action is not a random fisticuffs with the things around us or with our fellow men : that is the infrahuman , that is subjection to the other . Action is to act upon the material environment or upon other men in accordance with a ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
abstract action adventures aesthetic animal appear artist authentic become begins body called canvas casuistry century cerning character chiaroscuro classical contemplation cubism culture DEHUMANIZATION derealized Descartes destiny distance distant vision Don Quixote Dostoevski drama El Espectador El Greco essay everything existence fact feel fin de siècle French genre gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest less light literary live look magic man's masses means metaphor mind modern art never novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture pleasure poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility shipwrecked soul Stendhal style substance Tale of Genji things thought Tintoretto tion TOKLAS traditional truth unity universe Velásquez vital vocation Weimar words young youth