The Dehumanization of Art, and Other Writings on Art and Culture |
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Pagina 74
So slowly does the action move that it seems more like a sequence of ecstatic
stillnesses without progress or tension . Reading this “ remembrance of things
past ” we feel convinced that the permissible measure of slowness is
overstepped .
So slowly does the action move that it seems more like a sequence of ecstatic
stillnesses without progress or tension . Reading this “ remembrance of things
past ” we feel convinced that the permissible measure of slowness is
overstepped .
Pagina 75
actions . Compared with a concrete action , which moves as fast as possible
toward a conclusion , atmosphere signifies something diffuse and at rest . Action
carries us away in its dramatic course ; atmosphere invites to contemplation .
actions . Compared with a concrete action , which moves as fast as possible
toward a conclusion , atmosphere signifies something diffuse and at rest . Action
carries us away in its dramatic course ; atmosphere invites to contemplation .
Pagina 179
We saw that action is not a random fisticuffs with the things around us or with our
fellow men : that is the infrahuman , that is subjection to the other . Action is to act
upon the material environment or upon other men in accordance with a plan ...
We saw that action is not a random fisticuffs with the things around us or with our
fellow men : that is the infrahuman , that is subjection to the other . Action is to act
upon the material environment or upon other men in accordance with a plan ...
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The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention become begins believe body called cause century character classical clear consists contemplation contrary culture definition destiny direction distance drama effect elements essential event everything existence fact feel figures follow French gifts give Goethe hand happening Hence horizon human ideas important individual inner interest less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture play point of view possess possible precisely present problems produce pure reader reality realize reason relation remains seems seen sense sensibility soul space Spanish speak stand style theater things thought tion traditional truth turn understand universe vision vital vocation whole young