The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 13
Pagina 95
... actual social types and environments can provide an additional piquancy , but it is not essen- tial . ( One of the points I am leaving untouched is that the novel lends itself more easily than any other literary form to absorbing ...
... actual social types and environments can provide an additional piquancy , but it is not essen- tial . ( One of the points I am leaving untouched is that the novel lends itself more easily than any other literary form to absorbing ...
Pagina 133
... actual life . The matter of the greatest interest is not the man's struggle with the world , with his external destiny , but his struggle with his vocation . How does he behave when faced with his inexorable vocation ? Does he subscribe ...
... actual life . The matter of the greatest interest is not the man's struggle with the world , with his external destiny , but his struggle with his vocation . How does he behave when faced with his inexorable vocation ? Does he subscribe ...
Pagina 140
... actual life that of a law - abiding citizen . It is a terrible thing , but there is no denying it : the man who had to be a thief and , by a virtuous effort of will succeeds in not being one , falsifies his life . So let there be no ...
... actual life that of a law - abiding citizen . It is a terrible thing , but there is no denying it : the man who had to be a thief and , by a virtuous effort of will succeeds in not being one , falsifies his life . So let there be no ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
abstract action adventures aesthetic animal appear artist authentic become begins body called canvas casuistry century cerning character chiaroscuro classical contemplation cubism culture DEHUMANIZATION derealized Descartes destiny distance distant vision Don Quixote Dostoevski drama El Espectador El Greco essay everything existence fact feel fin de siècle French genre gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest less light literary live look magic man's masses means metaphor mind modern art never novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture pleasure poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility shipwrecked soul Stendhal style substance Tale of Genji things thought Tintoretto tion TOKLAS traditional truth unity universe Velásquez vital vocation Weimar words young youth