The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 14
Pagina 57
... adventures as we are to hear what has happened to a person we love . But soon adventures by themselves lose attraction , and what then pleases is not so much the fortunes of the personages as their self - presence . We enjoy seeing ...
... adventures as we are to hear what has happened to a person we love . But soon adventures by themselves lose attraction , and what then pleases is not so much the fortunes of the personages as their self - presence . We enjoy seeing ...
Pagina 60
... adventure as such - perhaps , as we were saying , because the child sees in palpable presence what our ... adventures capable of stirring the superior portion of our sensibility . Action thus becomes a mere pretext - the ...
... adventure as such - perhaps , as we were saying , because the child sees in palpable presence what our ... adventures capable of stirring the superior portion of our sensibility . Action thus becomes a mere pretext - the ...
Pagina 64
... adventures he rather avoids ; the events of outer life serve only to present certain inner problems . The author and ... adventure takes off for its headlong leap . Anything else would have bored the audience of a Spanish corral ...
... adventures he rather avoids ; the events of outer life serve only to present certain inner problems . The author and ... adventure takes off for its headlong leap . Anything else would have bored the audience of a Spanish corral ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
abstract action adventures aesthetic animal appear artist authentic become begins body called canvas casuistry century cerning character chiaroscuro classical contemplation cubism culture DEHUMANIZATION derealized Descartes destiny distance distant vision Don Quixote Dostoevski drama El Espectador El Greco essay everything existence fact feel fin de siècle French genre gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest less light literary live look magic man's masses means metaphor mind modern art never novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture pleasure poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility shipwrecked soul Stendhal style substance Tale of Genji things thought Tintoretto tion TOKLAS traditional truth unity universe Velásquez vital vocation Weimar words young youth