The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 14
Pagina 165
... animal lives not from itself but from what is other than itself , pulled and pushed and tyrannized over by that other , is equivalent to saying that the animal always lives in estrangement , is beside itself , that its life is essential ...
... animal lives not from itself but from what is other than itself , pulled and pushed and tyrannized over by that other , is equivalent to saying that the animal always lives in estrangement , is beside itself , that its life is essential ...
Pagina 166
... animal . Because the expression means that we feel a strange weariness , a gratuitous weariness , at simply imagin- ing ourselves forced to live among these crea- tures , perpetually harassed by our environment and tensely attentive to ...
... animal . Because the expression means that we feel a strange weariness , a gratuitous weariness , at simply imagin- ing ourselves forced to live among these crea- tures , perpetually harassed by our environment and tensely attentive to ...
Pagina 168
... animal has always to be atten- tive to what goes on outside it , to the things around it . Because , even if the dangers and incitements of those things were to diminish , the animal would perforce continue to be governed by them , by ...
... animal has always to be atten- tive to what goes on outside it , to the things around it . Because , even if the dangers and incitements of those things were to diminish , the animal would perforce continue to be governed by them , by ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention become begins believe body called cause century character classical clear consists contemplation contrary culture definition DEHUMANIZATION destiny direction distance drama effect elements essential event everything existence fact feel figures follow gifts give Goethe hand happening Hence horizon human ideas important individual inner interest invent less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture point of view possess possible precisely present problems produce pure reader reality realize reason relation remains seems seen sense sensibility soul space Spanish speak stand style theater things thought tion traditional truth turn understand universe vision vital vocation whole young