The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
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Pagina 20
... artist is seen going against it . He is brazenly set on deforming reality , shattering its human aspect , dehumanizing it . With the things represented on traditional paintings we could have imaginary intercourse . Many a young ...
... artist is seen going against it . He is brazenly set on deforming reality , shattering its human aspect , dehumanizing it . With the things represented on traditional paintings we could have imaginary intercourse . Many a young ...
Pagina 45
... artist repudi- ates reality and by this act places himself above it . Being an artist means ceasing to take seriously that very serious person we are when we are not an artist . This inevitable dash of irony , it is true , imparts to ...
... artist repudi- ates reality and by this act places himself above it . Being an artist means ceasing to take seriously that very serious person we are when we are not an artist . This inevitable dash of irony , it is true , imparts to ...
Pagina 46
José Ortega y Gasset. but that the artist himself regards his art as a thing of no consequence . But then again this does not accurately describe the situation . I do not mean to say that the artist makes light of his work and his ...
José Ortega y Gasset. but that the artist himself regards his art as a thing of no consequence . But then again this does not accurately describe the situation . I do not mean to say that the artist makes light of his work and his ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention become begins believe body called cause century character classical clear consists contemplation contrary culture definition DEHUMANIZATION destiny direction distance drama effect elements essential event everything existence fact feel figures follow gifts give Goethe hand happening Hence horizon human ideas important individual inner interest invent less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture point of view possess possible precisely present problems produce pure reader reality realize reason relation remains seems seen sense sensibility soul space Spanish speak stand style theater things thought tion traditional truth turn understand universe vision vital vocation whole young