The Dehumanization of Art, and Other Writings on Art and Culture |
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Pagina 77
It is a humble and hackneyed truth that in order to see one must look and in order
to look one must pay attention . Attention is a preference subjectively bestowed
upon some things at the cost of others . I cannot focus on the first without losing ...
It is a humble and hackneyed truth that in order to see one must look and in order
to look one must pay attention . Attention is a preference subjectively bestowed
upon some things at the cost of others . I cannot focus on the first without losing ...
Pagina 78
that attention is given to what is seen but , on the contrary , only what attracts
attention is seen well . Attention is a psychological a priori that operates by
means of affective preferences , i . e . , interests . Modern psychology has found
itself ...
that attention is given to what is seen but , on the contrary , only what attracts
attention is seen well . Attention is a psychological a priori that operates by
means of affective preferences , i . e . , interests . Modern psychology has found
itself ...
Pagina 171
Yet no sooner do the beings around him give him a moment of repose than man ,
making a gigantic effort , achieves an instant of concentration , enters into himself
, that is , by great labor keeps his attention fixed upon the ideas that spring up ...
Yet no sooner do the beings around him give him a moment of repose than man ,
making a gigantic effort , achieves an instant of concentration , enters into himself
, that is , by great labor keeps his attention fixed upon the ideas that spring up ...
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The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention become begins believe body called cause century character classical clear consists contemplation contrary culture definition destiny direction distance drama effect elements essential event everything existence fact feel figures follow French gifts give Goethe hand happening Hence horizon human ideas important individual inner interest less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture play point of view possess possible precisely present problems produce pure reader reality realize reason relation remains seems seen sense sensibility soul space Spanish speak stand style theater things thought tion traditional truth turn understand universe vision vital vocation whole young