The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 13
Pagina 77
... attention . Attention is a preference subjectively be- stowed upon some things at the cost of others . I cannot focus on the first without losing sight of the second . Attention is like a ray of light which illumi- nates a zone of ...
... attention . Attention is a preference subjectively be- stowed upon some things at the cost of others . I cannot focus on the first without losing sight of the second . Attention is like a ray of light which illumi- nates a zone of ...
Pagina 78
... attention is seen well . Attention is a psychological a priori that operates by means of affective preferences , i.e. , interests . Modern psychology has found itself compelled paradoxically to reverse the traditional order of mental ...
... attention is seen well . Attention is a psychological a priori that operates by means of affective preferences , i.e. , interests . Modern psychology has found itself compelled paradoxically to reverse the traditional order of mental ...
Pagina 171
... attention fixed upon the ideas that spring up within him , ideas which things have evoked and which have reference to the be- havior of things , to what the philosopher will later call " the being of things . " For the moment it is an ...
... attention fixed upon the ideas that spring up within him , ideas which things have evoked and which have reference to the be- havior of things , to what the philosopher will later call " the being of things . " For the moment it is an ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention become begins believe body called cause century character classical clear consists contemplation contrary culture definition DEHUMANIZATION destiny direction distance drama effect elements essential event everything existence fact feel figures follow gifts give Goethe hand happening Hence horizon human ideas important individual inner interest invent less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture point of view possess possible precisely present problems produce pure reader reality realize reason relation remains seems seen sense sensibility soul space Spanish speak stand style theater things thought tion traditional truth turn understand universe vision vital vocation whole young