The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 11
Pagina 14
... authentic one ? The answer , no matter how we decide , cannot but be arbitrary . Any preference can be founded on caprice only . All these realities are equivalent , each being authentic for its cor- responding point of view . All we ...
... authentic one ? The answer , no matter how we decide , cannot but be arbitrary . Any preference can be founded on caprice only . All these realities are equivalent , each being authentic for its cor- responding point of view . All we ...
Pagina 146
... authentic vocation . But what was his authentic vocation ? I am not going to abuse your patience by de- veloping the theory of vocation for you - it implies a whole philosophy . I should only like to call to your attention the fact that ...
... authentic vocation . But what was his authentic vocation ? I am not going to abuse your patience by de- veloping the theory of vocation for you - it implies a whole philosophy . I should only like to call to your attention the fact that ...
Pagina 179
... authentic action if there is no thought , and there is no authentic thought if it is not duly referred to action and made virile by its relation to action . But this relation - which The Self and the Other 179.
... authentic action if there is no thought , and there is no authentic thought if it is not duly referred to action and made virile by its relation to action . But this relation - which The Self and the Other 179.
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention become begins believe body called cause century character classical clear consists contemplation contrary culture definition DEHUMANIZATION destiny direction distance drama effect elements essential event everything existence fact feel figures follow gifts give Goethe hand happening Hence horizon human ideas important individual inner interest invent less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture point of view possess possible precisely present problems produce pure reader reality realize reason relation remains seems seen sense sensibility soul space Spanish speak stand style theater things thought tion traditional truth turn understand universe vision vital vocation whole young