The dehumanization of art, and other writings on art and culture |
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Pagina 55
It has become practically impossible to find new subjects. Here we come upon
the ... As the store of possible subjects is more and more depleted the sensibility
of the reading public becomes subtler and more fastidious. Works that yesterday
...
It has become practically impossible to find new subjects. Here we come upon
the ... As the store of possible subjects is more and more depleted the sensibility
of the reading public becomes subtler and more fastidious. Works that yesterday
...
Pagina 57
The longer we look at his work, the clearer it becomes that the object is not there.
This difference between self-presence and mere allusion seems to me decisive
in all art but very specially in the novel. The subject of Le rouge et le noir could ...
The longer we look at his work, the clearer it becomes that the object is not there.
This difference between self-presence and mere allusion seems to me decisive
in all art but very specially in the novel. The subject of Le rouge et le noir could ...
Pagina 129
This monumentalism becomes the more obvious the greater the number of
anecdotes and details the biographer ... daily life— you will become aware of the
incredible manner in which philosophy has always gone astray by giving the
name of ...
This monumentalism becomes the more obvious the greater the number of
anecdotes and details the biographer ... daily life— you will become aware of the
incredible manner in which philosophy has always gone astray by giving the
name of ...
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The Dehumanization of Art and Other Essays on Art, Culture, and Literature José Ortega y Gasset Anteprima limitata - 2019 |
The Dehumanization of Art: And Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
 | The Dehumanization of Art: And Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
Parole e frasi comuni
abstract action adventures aesthetic animal appear artist authentic become begins body called canvas casuistry century cerning character chiaroscuro classical contemplation contrary cornea cubism culture definition DEHUMANIZATION derealized Descartes destiny distance distant vision Don Quixote Dostoevski drama entelechy essential everything existence expressionism fact feel French genre gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ICONOCLASM ideas imaginary imperative impressionistic inner interest less light literary live look Madame Tussaud's magic man's masses means metaphor mind modern art never novel novelist object opposite ourselves painter painting partisan review person personages philosophy picture pleasure poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sense sensibility shipwrecked soul Stendhal style substance things thought Tintoretto tion TOKLAS traditional truth unity Velasquez vital vocation Weimar words young youth
Informazioni bibliografiche
| Titolo | The dehumanization of art, and other writings on art and culture Doubleday anchor books |
| Autore | José Ortega y Gasset |
| Editore | Doubleday, 1956 |
| Provenienza dell'originale | la University of Michigan |
| Digitalizzato | 10 ott 2007 |
| Lunghezza | 187 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |