The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 39
Pagina 55
... become practically impossible to find new subjects . Here we come upon the first cause of the enormous difficulty ... becomes subtler and more fastidious . Works that yesterday would still have passed , today are deemed insipid . Not ...
... become practically impossible to find new subjects . Here we come upon the first cause of the enormous difficulty ... becomes subtler and more fastidious . Works that yesterday would still have passed , today are deemed insipid . Not ...
Pagina 129
... becomes the more obvious the greater the number of anecdotes and details the biographer furnishes us , because the ... become aware of the in- credible manner in which philosophy has always gone astray by giving the name of " I " to ...
... becomes the more obvious the greater the number of anecdotes and details the biographer furnishes us , because the ... become aware of the in- credible manner in which philosophy has always gone astray by giving the name of " I " to ...
Pagina 184
... becoming stupid . It has been said that his master Posidonius was the last man of that civilization who was able to ... becomes dominant , the first thing for us to do is to hold tight . Anyone who would really like to learn what effects ...
... becoming stupid . It has been said that his master Posidonius was the last man of that civilization who was able to ... becomes dominant , the first thing for us to do is to hold tight . Anyone who would really like to learn what effects ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
abstract action adventures aesthetic animal appear artist authentic become begins body called canvas casuistry century cerning character chiaroscuro classical contemplation cubism culture DEHUMANIZATION derealized Descartes destiny distance distant vision Don Quixote Dostoevski drama El Espectador El Greco essay everything existence fact feel fin de siècle French genre gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest less light literary live look magic man's masses means metaphor mind modern art never novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture pleasure poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility shipwrecked soul Stendhal style substance Tale of Genji things thought Tintoretto tion TOKLAS traditional truth unity universe Velásquez vital vocation Weimar words young youth