The Dehumanization of Art, and Other Writings on Art and Culture |
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Pagina 47
All modern art begins to appear comprehensible and in a way great when it is
interpreted as an attempt to instill youthfulness into an ancient world . Other styles
must be interpreted in connection with dramatic social or political movements , or
...
All modern art begins to appear comprehensible and in a way great when it is
interpreted as an attempt to instill youthfulness into an ancient world . Other styles
must be interpreted in connection with dramatic social or political movements , or
...
Pagina 110
The object in itself begins to be disregarded and have no other role than to serve
as support and background for the light playing upon it . One studies the
trajectory of light , emphasizing the fluidity of its passage over the face of volumes
, over ...
The object in itself begins to be disregarded and have no other role than to serve
as support and background for the light playing upon it . One studies the
trajectory of light , emphasizing the fluidity of its passage over the face of volumes
, over ...
Pagina 150
Goethe begins to live in a direction contrary to his destiny , he begins a process
of de - vivification . Measure becomes excessive and supplants the substance of
his destiny . Goethe is a fire which needs a great deal of wood . In Weimar , just ...
Goethe begins to live in a direction contrary to his destiny , he begins a process
of de - vivification . Measure becomes excessive and supplants the substance of
his destiny . Goethe is a fire which needs a great deal of wood . In Weimar , just ...
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The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention become begins believe body called cause century character classical clear consists contemplation contrary culture definition destiny direction distance drama effect elements essential event everything existence fact feel figures follow French gifts give Goethe hand happening Hence horizon human ideas important individual inner interest less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture play point of view possess possible precisely present problems produce pure reader reality realize reason relation remains seems seen sense sensibility soul space Spanish speak stand style theater things thought tion traditional truth turn understand universe vision vital vocation whole young
Informazioni bibliografiche
| Titolo | The Dehumanization of Art, and Other Writings on Art and Culture Anchor books Volume 72 di Doubleday anchor book |
| Autore | José Ortega y Gasset |
| tradotto da | Willard Ropes Trask |
| Editore | Doubleday, 1956 |
| Provenienza dell'originale | la University of Michigan |
| Digitalizzato | 10 ott 2007 |
| Lunghezza | 187 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |