The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 16
Pagina 55
... believe , is now happening to the novel . It has become practically impossible to find new subjects . Here we come upon the first cause of the enormous difficulty , an objective not a personal difficulty , of writing an acceptable novel ...
... believe , is now happening to the novel . It has become practically impossible to find new subjects . Here we come upon the first cause of the enormous difficulty , an objective not a personal difficulty , of writing an acceptable novel ...
Pagina 146
... believe me , I have plenty of reasons for being guilty of it ! But then Goethe flees from Weimar , which was already itself a flight , and this time his flight even has the material , police - blotter tokens of a flight : he flees from ...
... believe me , I have plenty of reasons for being guilty of it ! But then Goethe flees from Weimar , which was already itself a flight , and this time his flight even has the material , police - blotter tokens of a flight : he flees from ...
Pagina 164
... believe ; what he truly esteems and what he truly detests . Being beside himself bemuses him , blinds him , forces him to act mechanically in a frenetic somnambulism . Nowhere do we better observe that the possibility of meditation is ...
... believe ; what he truly esteems and what he truly detests . Being beside himself bemuses him , blinds him , forces him to act mechanically in a frenetic somnambulism . Nowhere do we better observe that the possibility of meditation is ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention become begins believe body called cause century character classical clear consists contemplation contrary culture definition DEHUMANIZATION destiny direction distance drama effect elements essential event everything existence fact feel figures follow gifts give Goethe hand happening Hence horizon human ideas important individual inner interest invent less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture point of view possess possible precisely present problems produce pure reader reality realize reason relation remains seems seen sense sensibility soul space Spanish speak stand style theater things thought tion traditional truth turn understand universe vision vital vocation whole young