The Dehumanization of Art, and Other Writings on Art and Culture |
Dall'interno del libro
Risultati 1-3 di 21
Pagina 61
tention to the fact that when a novel bores us it is not , as an insufficient analysis
may lead us to believe , because its subject is uninteresting . ” If that were so we
might as well declare the entire species dead and buried . For the impossibility of
...
tention to the fact that when a novel bores us it is not , as an insufficient analysis
may lead us to believe , because its subject is uninteresting . ” If that were so we
might as well declare the entire species dead and buried . For the impossibility of
...
Pagina 146
Yes ! even if at first sight this appears to you to be an error , an intolerable
paradox , and even if it should prove to be so in the long run - believe me , I have
plenty of reasons for being guilty of it ! But then Goethe flees from Weimar , which
was ...
Yes ! even if at first sight this appears to you to be an error , an intolerable
paradox , and even if it should prove to be so in the long run - believe me , I have
plenty of reasons for being guilty of it ! But then Goethe flees from Weimar , which
was ...
Pagina 164
... it is that he believes and what it is that he does not believe ; what he truly
esteems and what he truly detests . Being beside himself bemuses him , blinds
him , forces him to act mechanically in a frenetic somnambulism . Nowhere do we
better ...
... it is that he believes and what it is that he does not believe ; what he truly
esteems and what he truly detests . Being beside himself bemuses him , blinds
him , forces him to act mechanically in a frenetic somnambulism . Nowhere do we
better ...
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The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention become begins believe body called cause century character classical clear consists contemplation contrary culture definition destiny direction distance drama effect elements essential event everything existence fact feel figures follow French gifts give Goethe hand happening Hence horizon human ideas important individual inner interest less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture play point of view possess possible precisely present problems produce pure reader reality realize reason relation remains seems seen sense sensibility soul space Spanish speak stand style theater things thought tion traditional truth turn understand universe vision vital vocation whole young