The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 21
Pagina 33
... called infrarealism . Both satisfy the urge to escape and elude reality . Instead of soaring to poetical heights , art may dive beneath the level marked by the natural perspective . How it is possible to overcome realism by merely ...
... called infrarealism . Both satisfy the urge to escape and elude reality . Instead of soaring to poetical heights , art may dive beneath the level marked by the natural perspective . How it is possible to overcome realism by merely ...
Pagina 40
... called upon to perfect ; or he discovers that he has a spontaneous indefinable aversion against established and generally ac- claimed art . And as in the first case he will be pleased to settle down in the customary forms and repeat ...
... called upon to perfect ; or he discovers that he has a spontaneous indefinable aversion against established and generally ac- claimed art . And as in the first case he will be pleased to settle down in the customary forms and repeat ...
Pagina 85
... called a novel- ist unless he possesses the gift of forgetting , and thereby making us forget , the reality beyond the walls of his novel . Let him be as realistic as can be ; that is to say , let the microcosm of his novel consist of ...
... called a novel- ist unless he possesses the gift of forgetting , and thereby making us forget , the reality beyond the walls of his novel . Let him be as realistic as can be ; that is to say , let the microcosm of his novel consist of ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention become begins believe body called cause century character classical clear consists contemplation contrary culture definition DEHUMANIZATION destiny direction distance drama effect elements essential event everything existence fact feel figures follow gifts give Goethe hand happening Hence horizon human ideas important individual inner interest invent less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture point of view possess possible precisely present problems produce pure reader reality realize reason relation remains seems seen sense sensibility soul space Spanish speak stand style theater things thought tion traditional truth turn understand universe vision vital vocation whole young