The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 21
Pagina 33
... called infrarealism . Both satisfy the urge to escape and elude reality . Instead of soaring to poetical heights , art may dive beneath the level marked by the natural perspective . How it is possible to overcome realism by merely ...
... called infrarealism . Both satisfy the urge to escape and elude reality . Instead of soaring to poetical heights , art may dive beneath the level marked by the natural perspective . How it is possible to overcome realism by merely ...
Pagina 40
... called upon to perfect ; or he discovers that he has a spontaneous indefinable aversion against established and generally ac- claimed art . And as in the first case he will be pleased to settle down in the customary forms and repeat ...
... called upon to perfect ; or he discovers that he has a spontaneous indefinable aversion against established and generally ac- claimed art . And as in the first case he will be pleased to settle down in the customary forms and repeat ...
Pagina 85
... called a novel- ist unless he possesses the gift of forgetting , and thereby making us forget , the reality beyond the walls of his novel . Let him be as realistic as can be ; that is to say , let the microcosm of his novel consist of ...
... called a novel- ist unless he possesses the gift of forgetting , and thereby making us forget , the reality beyond the walls of his novel . Let him be as realistic as can be ; that is to say , let the microcosm of his novel consist of ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
abstract action adventures aesthetic animal appear artist authentic become begins body called canvas casuistry century cerning character chiaroscuro classical contemplation cubism culture DEHUMANIZATION derealized Descartes destiny distance distant vision Don Quixote Dostoevski drama El Espectador El Greco essay everything existence fact feel fin de siècle French genre gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest less light literary live look magic man's masses means metaphor mind modern art never novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture pleasure poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility shipwrecked soul Stendhal style substance Tale of Genji things thought Tintoretto tion TOKLAS traditional truth unity universe Velásquez vital vocation Weimar words young youth