The Dehumanization of Art, and Other Writings on Art and Culture |
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Pagina 33
Here we have the connecting link between two seemingly very different manners
of modern art , the surrealism of metaphors and what may be called infrarealism .
Both satisfy the urge to escape and elude reality . Instead of soaring to poetical ...
Here we have the connecting link between two seemingly very different manners
of modern art , the surrealism of metaphors and what may be called infrarealism .
Both satisfy the urge to escape and elude reality . Instead of soaring to poetical ...
Pagina 40
Either the artist is in conformity with the past and regards it as his heritage which
he feels called upon to perfect ; or he discovers that he has a spontaneous
indefinable aversion against established and generally acclaimed art . And as in
the ...
Either the artist is in conformity with the past and regards it as his heritage which
he feels called upon to perfect ; or he discovers that he has a spontaneous
indefinable aversion against established and generally acclaimed art . And as in
the ...
Pagina 85
In my judgment , no writer can be called a novelist unless he possesses the gift of
forgetting , and thereby making us forget , the reality beyond the walls of his novel
. Let him be as realistic as can be ; that is to say , let the microcosm of his ...
In my judgment , no writer can be called a novelist unless he possesses the gift of
forgetting , and thereby making us forget , the reality beyond the walls of his novel
. Let him be as realistic as can be ; that is to say , let the microcosm of his ...
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The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention become begins believe body called cause century character classical clear consists contemplation contrary culture definition destiny direction distance drama effect elements essential event everything existence fact feel figures follow French gifts give Goethe hand happening Hence horizon human ideas important individual inner interest less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture play point of view possess possible precisely present problems produce pure reader reality realize reason relation remains seems seen sense sensibility soul space Spanish speak stand style theater things thought tion traditional truth turn understand universe vision vital vocation whole young