The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 16
Pagina 56
... its being , in self - presence . Whereas the former , instead of pre- senting the object itself , sets down on his canvas only a few feeble and unessential allusions to it . The longer we look at his work , the clearer 56.
... its being , in self - presence . Whereas the former , instead of pre- senting the object itself , sets down on his canvas only a few feeble and unessential allusions to it . The longer we look at his work , the clearer 56.
Pagina 64
José Ortega y Gasset. down on the canvas of a well - known " history , " which in itself holds no longer any dramatic interest , three or four significant motives . Mere physical adventures he rather avoids ; the events of outer life ...
José Ortega y Gasset. down on the canvas of a well - known " history , " which in itself holds no longer any dramatic interest , three or four significant motives . Mere physical adventures he rather avoids ; the events of outer life ...
Pagina 106
... canvas of Velásquez , each section con- tains only vague and monstrous forms . The primitive canvas is , in a certain sense , the sum of many small pictures , each one independent and each painted from the proximate view . The painter ...
... canvas of Velásquez , each section con- tains only vague and monstrous forms . The primitive canvas is , in a certain sense , the sum of many small pictures , each one independent and each painted from the proximate view . The painter ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
abstract action adventures aesthetic animal appear artist authentic become begins body called canvas casuistry century cerning character chiaroscuro classical contemplation cubism culture DEHUMANIZATION derealized Descartes destiny distance distant vision Don Quixote Dostoevski drama El Espectador El Greco essay everything existence fact feel fin de siècle French genre gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest less light literary live look magic man's masses means metaphor mind modern art never novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture pleasure poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility shipwrecked soul Stendhal style substance Tale of Genji things thought Tintoretto tion TOKLAS traditional truth unity universe Velásquez vital vocation Weimar words young youth