The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 11
Pagina 64
José Ortega y Gasset. down on the canvas of a well - known " history , " which in itself holds no longer any dramatic interest , three or four significant motives . Mere physical adventures he rather avoids ; the events of outer life ...
José Ortega y Gasset. down on the canvas of a well - known " history , " which in itself holds no longer any dramatic interest , three or four significant motives . Mere physical adventures he rather avoids ; the events of outer life ...
Pagina 106
... canvas of Velásquez , each section con- tains only vague and monstrous forms . The primitive canvas is , in a certain sense , the sum of many small pictures , each one independent and each painted from the proximate view . The painter ...
... canvas of Velásquez , each section con- tains only vague and monstrous forms . The primitive canvas is , in a certain sense , the sum of many small pictures , each one independent and each painted from the proximate view . The painter ...
Pagina 109
... canvas ; -but nothing more . Every object in the picture continues as before to assert its vol- ume , and , consequently , its independence and par- ticularism . These unities , then , are of the same abstract lineage as the geometrical ...
... canvas ; -but nothing more . Every object in the picture continues as before to assert its vol- ume , and , consequently , its independence and par- ticularism . These unities , then , are of the same abstract lineage as the geometrical ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention become begins believe body called cause century character classical clear consists contemplation contrary culture definition DEHUMANIZATION destiny direction distance drama effect elements essential event everything existence fact feel figures follow gifts give Goethe hand happening Hence horizon human ideas important individual inner interest invent less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture point of view possess possible precisely present problems produce pure reader reality realize reason relation remains seems seen sense sensibility soul space Spanish speak stand style theater things thought tion traditional truth turn understand universe vision vital vocation whole young