The Dehumanization of Art, and Other Writings on Art and Culture |
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Pagina 26
Instead of delighting in the artistic object people delight in their own emotions ,
the work being only the cause and the alcohol of their pleasure . And such a quid
pro quo is bound to happen whenever art is made to consist essentially in an ...
Instead of delighting in the artistic object people delight in their own emotions ,
the work being only the cause and the alcohol of their pleasure . And such a quid
pro quo is bound to happen whenever art is made to consist essentially in an ...
Pagina 39
The first step has been to describe the new phenomenon . Only now that this is
done can we proceed to ask of which new general style of life modern art is the
symptom and the harbinger . The answer requires an analysis of the causes ...
The first step has been to describe the new phenomenon . Only now that this is
done can we proceed to ask of which new general style of life modern art is the
symptom and the harbinger . The answer requires an analysis of the causes ...
Pagina 55
Here we come upon the first cause of the enormous difficulty , an objective not a
personal difficulty , of writing an acceptable novel at this advanced stage . During
a certain period novels could thrive on the mere novelty of their subjects which ...
Here we come upon the first cause of the enormous difficulty , an objective not a
personal difficulty , of writing an acceptable novel at this advanced stage . During
a certain period novels could thrive on the mere novelty of their subjects which ...
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The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention become begins believe body called cause century character classical clear consists contemplation contrary culture definition destiny direction distance drama effect elements essential event everything existence fact feel figures follow French gifts give Goethe hand happening Hence horizon human ideas important individual inner interest less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture play point of view possess possible precisely present problems produce pure reader reality realize reason relation remains seems seen sense sensibility soul space Spanish speak stand style theater things thought tion traditional truth turn understand universe vision vital vocation whole young