The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
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Pagina 10
... century artists proceeded in all too impure a fashion . They reduced the strictly aesthetic elements to a minimum and let the work consist almost entirely in a fiction of hu- man realities . In this sense all normal art of the last century ...
... century artists proceeded in all too impure a fashion . They reduced the strictly aesthetic elements to a minimum and let the work consist almost entirely in a fiction of hu- man realities . In this sense all normal art of the last century ...
Pagina 23
... century was remark- ably cross - eyed . That is why its products , far from representing a normal type of art , may be said to mark a maximum aberration in the history of taste . All great periods of art have been careful not to let the ...
... century was remark- ably cross - eyed . That is why its products , far from representing a normal type of art , may be said to mark a maximum aberration in the history of taste . All great periods of art have been careful not to let the ...
Pagina 190
... Century French Tales A217 Nineteenth Century German Tales A184 FLORNOY , BERTRAND The World of the Inca A137 FORSTER , E. M. Alexandria : A History and a Guide A231 FORTUNE , EDITORS OF The Exploding Metropolis A146 FRANKFORT , HENRI ...
... Century French Tales A217 Nineteenth Century German Tales A184 FLORNOY , BERTRAND The World of the Inca A137 FORSTER , E. M. Alexandria : A History and a Guide A231 FORTUNE , EDITORS OF The Exploding Metropolis A146 FRANKFORT , HENRI ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
abstract action adventures aesthetic animal appear artist authentic become begins body called canvas casuistry century cerning character chiaroscuro classical contemplation cubism culture DEHUMANIZATION derealized Descartes destiny distance distant vision Don Quixote Dostoevski drama El Espectador El Greco essay everything existence fact feel fin de siècle French genre gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest less light literary live look magic man's masses means metaphor mind modern art never novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture pleasure poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility shipwrecked soul Stendhal style substance Tale of Genji things thought Tintoretto tion TOKLAS traditional truth unity universe Velásquez vital vocation Weimar words young youth