The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
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Pagina 134
... cerning his existence than we probably do con- cerning any other human being . We can therefore --that is to say , you can , because I know very little about Goethe - work ex abundantia . But there is another reason for making the at ...
... cerning his existence than we probably do con- cerning any other human being . We can therefore --that is to say , you can , because I know very little about Goethe - work ex abundantia . But there is another reason for making the at ...
Pagina 141
... concerning himself he knows only when he is satisfied and when he suffers , and only his sufferings and his ... cerning its own being . None of them has to decide what it will be the next instant . Thus their life is not drama ...
... concerning himself he knows only when he is satisfied and when he suffers , and only his sufferings and his ... cerning its own being . None of them has to decide what it will be the next instant . Thus their life is not drama ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
abstract action adventures aesthetic animal appear artist authentic become begins body called canvas casuistry century cerning character chiaroscuro classical contemplation cubism culture DEHUMANIZATION derealized Descartes destiny distance distant vision Don Quixote Dostoevski drama El Espectador El Greco essay everything existence fact feel fin de siècle French genre gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest less light literary live look magic man's masses means metaphor mind modern art never novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture pleasure poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility shipwrecked soul Stendhal style substance Tale of Genji things thought Tintoretto tion TOKLAS traditional truth unity universe Velásquez vital vocation Weimar words young youth