The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
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Pagina 24
... character . " And character and not style is distinctive of the works of Lucas and Sorolla , of Dickens and Galdós . The eighteenth century , on the other hand , which had so little character was a past master of style . MORE ABOUT THE ...
... character . " And character and not style is distinctive of the works of Lucas and Sorolla , of Dickens and Galdós . The eighteenth century , on the other hand , which had so little character was a past master of style . MORE ABOUT THE ...
Pagina 64
... characters is infrequent or at least unimportant . Sentiments and characters are taken from without as a whole ... character of the tragic happenings . They go to the theater not to be stirred by Athalie's or Phèdre's anguish but ...
... characters is infrequent or at least unimportant . Sentiments and characters are taken from without as a whole ... character of the tragic happenings . They go to the theater not to be stirred by Athalie's or Phèdre's anguish but ...
Pagina 145
... character -energetic , pure , generous , and jovial - but perpetually untrue to his destiny . Hence his de- pressions , his stiffness , his distance from his sur- roundings , his bitterness . It was a life à rebours . His biographers ...
... character -energetic , pure , generous , and jovial - but perpetually untrue to his destiny . Hence his de- pressions , his stiffness , his distance from his sur- roundings , his bitterness . It was a life à rebours . His biographers ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
abstract action adventures aesthetic animal appear artist authentic become begins body called canvas casuistry century cerning character chiaroscuro classical contemplation cubism culture DEHUMANIZATION derealized Descartes destiny distance distant vision Don Quixote Dostoevski drama El Espectador El Greco essay everything existence fact feel fin de siècle French genre gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest less light literary live look magic man's masses means metaphor mind modern art never novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture pleasure poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility shipwrecked soul Stendhal style substance Tale of Genji things thought Tintoretto tion TOKLAS traditional truth unity universe Velásquez vital vocation Weimar words young youth