The dehumanization of art, and other writings on art and culture |
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Pagina 109
Furthermore, there appears already in the work of El Greco another unifying
element: chiaroscuro. X THE CHIAROSCURISTS Raphael's composition, El
Greco's dynamic schema, are postulates of unity that the artist throws upon his
canvas;— ...
Furthermore, there appears already in the work of El Greco another unifying
element: chiaroscuro. X THE CHIAROSCURISTS Raphael's composition, El
Greco's dynamic schema, are postulates of unity that the artist throws upon his
canvas;— ...
Pagina 110
The unity of illumination or chiaroscuro imposes a unique point of view. The
painter must now see his entire work as immersed in the ample element of light.
Thus Ribera, Caravaggio, and the young Velasquez (The Adoration of the Magi).
The unity of illumination or chiaroscuro imposes a unique point of view. The
painter must now see his entire work as immersed in the ample element of light.
Thus Ribera, Caravaggio, and the young Velasquez (The Adoration of the Magi).
Pagina 111
X/ VELASQUEZ Thanks to chiaroscuro, the unity of the picture becomes internal,
and not merely obtained by extrinsic means. However, under the light, volumes
continue to lurk, the painting of bulk persists through the refulgent veil of light.
X/ VELASQUEZ Thanks to chiaroscuro, the unity of the picture becomes internal,
and not merely obtained by extrinsic means. However, under the light, volumes
continue to lurk, the painting of bulk persists through the refulgent veil of light.
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The Dehumanization of Art and Other Essays on Art, Culture, and Literature José Ortega y Gasset Anteprima limitata - 2019 |
The Dehumanization of Art: And Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
![]() | The Dehumanization of Art: And Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
Parole e frasi comuni
abstract action adventures aesthetic animal appear artist authentic become begins body called canvas casuistry century cerning character chiaroscuro classical contemplation contrary cornea cubism culture definition DEHUMANIZATION derealized Descartes destiny distance distant vision Don Quixote Dostoevski drama entelechy essential everything existence expressionism fact feel French genre gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ICONOCLASM ideas imaginary imperative impressionistic inner interest less light literary live look Madame Tussaud's magic man's masses means metaphor mind modern art never novel novelist object opposite ourselves painter painting partisan review person personages philosophy picture pleasure poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sense sensibility shipwrecked soul Stendhal style substance things thought Tintoretto tion TOKLAS traditional truth unity Velasquez vital vocation Weimar words young youth