The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
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Pagina 109
... chiaroscuro . X THE CHIAROSCURISTS Raphael's composition , El Greco's dynamic schema , are postulates of unity that the artist throws upon his canvas ; -but nothing more . Every object in the picture continues as before to assert its ...
... chiaroscuro . X THE CHIAROSCURISTS Raphael's composition , El Greco's dynamic schema , are postulates of unity that the artist throws upon his canvas ; -but nothing more . Every object in the picture continues as before to assert its ...
Pagina 110
... chiaroscuro imposes a unique point of view . The painter must now see his entire work as immersed in the ample element of light . Thus Ribera , Caravaggio , and the young Velás- quez ( The Adoration of the Magi ) . They still seek for ...
... chiaroscuro imposes a unique point of view . The painter must now see his entire work as immersed in the ample element of light . Thus Ribera , Caravaggio , and the young Velás- quez ( The Adoration of the Magi ) . They still seek for ...
Pagina 111
... chiaroscuro , the unity of the picture becomes internal , and not merely obtained by ex- trinsic means . However , under the light , volumes continue to lurk , the painting of bulk persists through the refulgent veil of light . To ...
... chiaroscuro , the unity of the picture becomes internal , and not merely obtained by ex- trinsic means . However , under the light , volumes continue to lurk , the painting of bulk persists through the refulgent veil of light . To ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention become begins believe body called cause century character classical clear consists contemplation contrary culture definition DEHUMANIZATION destiny direction distance drama effect elements essential event everything existence fact feel figures follow gifts give Goethe hand happening Hence horizon human ideas important individual inner interest invent less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture point of view possess possible precisely present problems produce pure reader reality realize reason relation remains seems seen sense sensibility soul space Spanish speak stand style theater things thought tion traditional truth turn understand universe vision vital vocation whole young