The Dehumanization of Art, and Other Writings on Art and Culture |
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Pagina 40
... is taken into account as a factor of aesthetic pleasure . Baudelaire praises the
black Venus precisely because the classical is white . From then on the
successive styles contain an ever increasing dose of derision and disparagement
until 40.
... is taken into account as a factor of aesthetic pleasure . Baudelaire praises the
black Venus precisely because the classical is white . From then on the
successive styles contain an ever increasing dose of derision and disparagement
until 40.
Pagina 63
But this question deserves more comment , and it invites us to seek further
orientation through a comparison of the classical French theater with the
indigenous Spanish theater . TWO THEATERS Not many things illuminate the
finer points of ...
But this question deserves more comment , and it invites us to seek further
orientation through a comparison of the classical French theater with the
indigenous Spanish theater . TWO THEATERS Not many things illuminate the
finer points of ...
Pagina 64
( Seneca ' s influence on the classical French drama can hardly be overrated . )
The aristocratic audience enjoys the exemplary and normative character of the
tragic happenings . They go to the theater not to be stirred by Athalie ' s or Phèdre
' s ...
( Seneca ' s influence on the classical French drama can hardly be overrated . )
The aristocratic audience enjoys the exemplary and normative character of the
tragic happenings . They go to the theater not to be stirred by Athalie ' s or Phèdre
' s ...
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The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention become begins believe body called cause century character classical clear consists contemplation contrary culture definition destiny direction distance drama effect elements essential event everything existence fact feel figures follow French gifts give Goethe hand happening Hence horizon human ideas important individual inner interest less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture play point of view possess possible precisely present problems produce pure reader reality realize reason relation remains seems seen sense sensibility soul space Spanish speak stand style theater things thought tion traditional truth turn understand universe vision vital vocation whole young
Informazioni bibliografiche
| Titolo | The Dehumanization of Art, and Other Writings on Art and Culture Anchor books Volume 72 di Doubleday anchor book |
| Autore | José Ortega y Gasset |
| tradotto da | Willard Ropes Trask |
| Editore | Doubleday, 1956 |
| Provenienza dell'originale | la University of Michigan |
| Digitalizzato | 10 ott 2007 |
| Lunghezza | 187 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |