The dehumanization of art, and other writings on art and culture |
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Pagina 40
... is taken into account as a factor of aesthetic pleasure. Baudelaire praises the
black Venus precisely because the classical is white. From then on the
successive styles contain an ever increasing dose of derision and disparagement
until 40.
... is taken into account as a factor of aesthetic pleasure. Baudelaire praises the
black Venus precisely because the classical is white. From then on the
successive styles contain an ever increasing dose of derision and disparagement
until 40.
Pagina 63
But this question deserves more comment, and it invites us to seek further
orientation through a comparison of the classical French theater with the
indigenous Spanish theater. TWO THEATERS Not many things illuminate the
finer points of the ...
But this question deserves more comment, and it invites us to seek further
orientation through a comparison of the classical French theater with the
indigenous Spanish theater. TWO THEATERS Not many things illuminate the
finer points of the ...
Pagina 64
(Seneca's influence on the classical French drama can hardly be overrated. ) The
aristocratic audience enjoys the exemplary and normative character of the tragic
happenings. They go to the theater not to be stirred by Athalie's or Phedre's ...
(Seneca's influence on the classical French drama can hardly be overrated. ) The
aristocratic audience enjoys the exemplary and normative character of the tragic
happenings. They go to the theater not to be stirred by Athalie's or Phedre's ...
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The Dehumanization of Art and Other Essays on Art, Culture, and Literature José Ortega y Gasset Anteprima limitata - 2019 |
The Dehumanization of Art: And Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
 | The Dehumanization of Art: And Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
Parole e frasi comuni
abstract action adventures aesthetic animal appear artist authentic become begins body called canvas casuistry century cerning character chiaroscuro classical contemplation contrary cornea cubism culture definition DEHUMANIZATION derealized Descartes destiny distance distant vision Don Quixote Dostoevski drama entelechy essential everything existence expressionism fact feel French genre gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ICONOCLASM ideas imaginary imperative impressionistic inner interest less light literary live look Madame Tussaud's magic man's masses means metaphor mind modern art never novel novelist object opposite ourselves painter painting partisan review person personages philosophy picture pleasure poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sense sensibility shipwrecked soul Stendhal style substance things thought Tintoretto tion TOKLAS traditional truth unity Velasquez vital vocation Weimar words young youth
Informazioni bibliografiche
| Titolo | The dehumanization of art, and other writings on art and culture Doubleday anchor books |
| Autore | José Ortega y Gasset |
| Editore | Doubleday, 1956 |
| Provenienza dell'originale | la University of Michigan |
| Digitalizzato | 10 ott 2007 |
| Lunghezza | 187 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |