The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 8
Pagina 55
... classical ones appear less good . Only a very few have escaped drowning in the reader's boredom . This development is inevitable and need not dis- hearten the novelists . On the contrary ; for they Notes on the Novel 55.
... classical ones appear less good . Only a very few have escaped drowning in the reader's boredom . This development is inevitable and need not dis- hearten the novelists . On the contrary ; for they Notes on the Novel 55.
Pagina 63
... classical French theater with the indigenous Spanish theater . TWO THEATERS Not many things illuminate the finer points of the diversity of French and Spanish destinies so well as the difference of structure between the classical French ...
... classical French theater with the indigenous Spanish theater . TWO THEATERS Not many things illuminate the finer points of the diversity of French and Spanish destinies so well as the difference of structure between the classical French ...
Pagina 64
... classical French drama can hardly be overrated . ) The aristocratic audience enjoys the exemplary and normative character of the tragic happenings . They go to the theater not to be stirred by Athalie's or Phèdre's anguish but to feel ...
... classical French drama can hardly be overrated . ) The aristocratic audience enjoys the exemplary and normative character of the tragic happenings . They go to the theater not to be stirred by Athalie's or Phèdre's anguish but to feel ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention become begins believe body called cause century character classical clear consists contemplation contrary culture definition DEHUMANIZATION destiny direction distance drama effect elements essential event everything existence fact feel figures follow gifts give Goethe hand happening Hence horizon human ideas important individual inner interest invent less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture point of view possess possible precisely present problems produce pure reader reality realize reason relation remains seems seen sense sensibility soul space Spanish speak stand style theater things thought tion traditional truth turn understand universe vision vital vocation whole young