The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 8
Pagina 55
... classical ones appear less good . Only a very few have escaped drowning in the reader's boredom . This development is inevitable and need not dis- hearten the novelists . On the contrary ; for they Notes on the Novel 55.
... classical ones appear less good . Only a very few have escaped drowning in the reader's boredom . This development is inevitable and need not dis- hearten the novelists . On the contrary ; for they Notes on the Novel 55.
Pagina 63
... classical French theater with the indigenous Spanish theater . TWO THEATERS Not many things illuminate the finer points of the diversity of French and Spanish destinies so well as the difference of structure between the classical French ...
... classical French theater with the indigenous Spanish theater . TWO THEATERS Not many things illuminate the finer points of the diversity of French and Spanish destinies so well as the difference of structure between the classical French ...
Pagina 64
... classical French drama can hardly be overrated . ) The aristocratic audience enjoys the exemplary and normative character of the tragic happenings . They go to the theater not to be stirred by Athalie's or Phèdre's anguish but to feel ...
... classical French drama can hardly be overrated . ) The aristocratic audience enjoys the exemplary and normative character of the tragic happenings . They go to the theater not to be stirred by Athalie's or Phèdre's anguish but to feel ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
abstract action adventures aesthetic animal appear artist authentic become begins body called canvas casuistry century cerning character chiaroscuro classical contemplation cubism culture DEHUMANIZATION derealized Descartes destiny distance distant vision Don Quixote Dostoevski drama El Espectador El Greco essay everything existence fact feel fin de siècle French genre gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest less light literary live look magic man's masses means metaphor mind modern art never novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture pleasure poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility shipwrecked soul Stendhal style substance Tale of Genji things thought Tintoretto tion TOKLAS traditional truth unity universe Velásquez vital vocation Weimar words young youth