The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 32
Pagina 9
... clear . Not only is grieving and rejoicing at such human destinies as a work of art presents or narrates a very different thing from true artistic pleasure , but preoccupation with the human con- tent of the work is in principle ...
... clear . Not only is grieving and rejoicing at such human destinies as a work of art presents or narrates a very different thing from true artistic pleasure , but preoccupation with the human con- tent of the work is in principle ...
Pagina 39
... clear . We can hardly put too much stress on the influ- 13. Cf. The author's book The Modern Theme ( The C. W. Daniel Company , London : 1931 ) , p . 26 . ence which at all times the past of art exerts The Dehumanization of Art 39.
... clear . We can hardly put too much stress on the influ- 13. Cf. The author's book The Modern Theme ( The C. W. Daniel Company , London : 1931 ) , p . 26 . ence which at all times the past of art exerts The Dehumanization of Art 39.
Pagina 69
... clear and neat dispo- sitions . All this may contribute to the pleasure we draw from Dostoevski ; only it is not sufficient rea- son . Moreover , there is a certain questionable quality to these features that makes them as well suited ...
... clear and neat dispo- sitions . All this may contribute to the pleasure we draw from Dostoevski ; only it is not sufficient rea- son . Moreover , there is a certain questionable quality to these features that makes them as well suited ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention become begins believe body called cause century character classical clear consists contemplation contrary culture definition DEHUMANIZATION destiny direction distance drama effect elements essential event everything existence fact feel figures follow gifts give Goethe hand happening Hence horizon human ideas important individual inner interest invent less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture point of view possess possible precisely present problems produce pure reader reality realize reason relation remains seems seen sense sensibility soul space Spanish speak stand style theater things thought tion traditional truth turn understand universe vision vital vocation whole young