The Dehumanization of Art, and Other Writings on Art and Culture |
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Pagina 24
From Beethoven to Wagner music was primarily concerned with expressing
personal feelings . The composer erected great structures of sound in which to
accommodate his autobiography , Art was , more or less , confession . There
existed no ...
From Beethoven to Wagner music was primarily concerned with expressing
personal feelings . The composer erected great structures of sound in which to
accommodate his autobiography , Art was , more or less , confession . There
existed no ...
Pagina 128
In the last analysis , they are concerned with going around Goethe . They are
therefore concerned to produce a figure whose external form is extremely clear ,
which presents no problems to the eye , which is all in sweeping lines .
Monumental ...
In the last analysis , they are concerned with going around Goethe . They are
therefore concerned to produce a figure whose external form is extremely clear ,
which presents no problems to the eye , which is all in sweeping lines .
Monumental ...
Pagina 166
But with this essential difference - that man can , from time to time , suspend his
direct concern with things , detach himself from his surroundings , ignore them ,
and subjecting his faculty of attention to a radical shift - incomprehensible ...
But with this essential difference - that man can , from time to time , suspend his
direct concern with things , detach himself from his surroundings , ignore them ,
and subjecting his faculty of attention to a radical shift - incomprehensible ...
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The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention become begins believe body called cause century character classical clear consists contemplation contrary culture definition destiny direction distance drama effect elements essential event everything existence fact feel figures follow French gifts give Goethe hand happening Hence horizon human ideas important individual inner interest less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture play point of view possess possible precisely present problems produce pure reader reality realize reason relation remains seems seen sense sensibility soul space Spanish speak stand style theater things thought tion traditional truth turn understand universe vision vital vocation whole young