The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 15
Pagina 17
... concerned with the great man of that name . A psychologist , on the other hand , adopts an unusual , “ inhuman " attitude when he forgets about Napoleon and , prying into his own mind , tries to analyze his idea of Napoleon as such idea ...
... concerned with the great man of that name . A psychologist , on the other hand , adopts an unusual , “ inhuman " attitude when he forgets about Napoleon and , prying into his own mind , tries to analyze his idea of Napoleon as such idea ...
Pagina 128
... concerned with going around Goethe . They are therefore concerned to produce a figure whose external form is extremely clear , which presents no problems to the eye , which is all in sweeping lines . Monumental optics , we 128.
... concerned with going around Goethe . They are therefore concerned to produce a figure whose external form is extremely clear , which presents no problems to the eye , which is all in sweeping lines . Monumental optics , we 128.
Pagina 166
... concern himself with them ? There is no doubt of it . But with this essential difference - that man can , from time to time , suspend his direct con- cern with things , detach himself from his surround- ings , ignore them , and ...
... concern himself with them ? There is no doubt of it . But with this essential difference - that man can , from time to time , suspend his direct con- cern with things , detach himself from his surround- ings , ignore them , and ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention become begins believe body called cause century character classical clear consists contemplation contrary culture definition DEHUMANIZATION destiny direction distance drama effect elements essential event everything existence fact feel figures follow gifts give Goethe hand happening Hence horizon human ideas important individual inner interest invent less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture point of view possess possible precisely present problems produce pure reader reality realize reason relation remains seems seen sense sensibility soul space Spanish speak stand style theater things thought tion traditional truth turn understand universe vision vital vocation whole young