The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 22
Pagina 58
... consists in attempting to define his per- sonages . It is the task of science to work out definitions . All scientific endeavor lastly consists in the system- atic effort to leave behind the object and to arrive at its definition . Now ...
... consists in attempting to define his per- sonages . It is the task of science to work out definitions . All scientific endeavor lastly consists in the system- atic effort to leave behind the object and to arrive at its definition . Now ...
Pagina 134
... consists precisely in its ex- ecution , in being actually lived , and hence being never concluded , never definitive . It does not allow itself to be contemplated from without : the eye must transport itself there and make reality ...
... consists precisely in its ex- ecution , in being actually lived , and hence being never concluded , never definitive . It does not allow itself to be contemplated from without : the eye must transport itself there and make reality ...
Pagina 137
... consists exclusively in the problem of itself . Obviously Goethe throws us off the track because his idea of life is biological , botanical . Like all the portant thing is that this formula is not accidental but is the starting point ...
... consists exclusively in the problem of itself . Obviously Goethe throws us off the track because his idea of life is biological , botanical . Like all the portant thing is that this formula is not accidental but is the starting point ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
abstract action adventures aesthetic animal appear artist authentic become begins body called canvas casuistry century cerning character chiaroscuro classical contemplation cubism culture DEHUMANIZATION derealized Descartes destiny distance distant vision Don Quixote Dostoevski drama El Espectador El Greco essay everything existence fact feel fin de siècle French genre gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest less light literary live look magic man's masses means metaphor mind modern art never novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture pleasure poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility shipwrecked soul Stendhal style substance Tale of Genji things thought Tintoretto tion TOKLAS traditional truth unity universe Velásquez vital vocation Weimar words young youth