The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 16
Pagina 77
... contemplative attitude . Similarly , art is an enjoyment of contemplation . Contemplation and interest thus appear to be two polar forms of consciousness which in principle exclude one another . A man of action is likely to be a poor ...
... contemplative attitude . Similarly , art is an enjoyment of contemplation . Contemplation and interest thus appear to be two polar forms of consciousness which in principle exclude one another . A man of action is likely to be a poor ...
Pagina 80
... contemplation - interests , senti- ments , compulsions , affective preferences - are pre- cisely its indispensable instruments . Any human destiny that does not labor under an unbearable strain can become a tower of contemplation - an ...
... contemplation - interests , senti- ments , compulsions , affective preferences - are pre- cisely its indispensable instruments . Any human destiny that does not labor under an unbearable strain can become a tower of contemplation - an ...
Pagina 182
... contemplation , brought it about that , during the last century - for a comparatively short period , then - there ... contemplation , thought , as a grace or jewel which man is to add to his life - hence as something which lies ...
... contemplation , brought it about that , during the last century - for a comparatively short period , then - there ... contemplation , thought , as a grace or jewel which man is to add to his life - hence as something which lies ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
abstract action adventures aesthetic animal appear artist authentic become begins body called canvas casuistry century cerning character chiaroscuro classical contemplation cubism culture DEHUMANIZATION derealized Descartes destiny distance distant vision Don Quixote Dostoevski drama El Espectador El Greco essay everything existence fact feel fin de siècle French genre gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest less light literary live look magic man's masses means metaphor mind modern art never novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture pleasure poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility shipwrecked soul Stendhal style substance Tale of Genji things thought Tintoretto tion TOKLAS traditional truth unity universe Velásquez vital vocation Weimar words young youth