The Dehumanization of Art, and Other Writings on Art and Culture |
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Pagina 76
It deals with nothing less than the antagonism between action and contemplation
. Two types of men become discernible : one inclined to pure contemplation , the
other eager to act , to have a hand in things , to be involved emotionally .
It deals with nothing less than the antagonism between action and contemplation
. Two types of men become discernible : one inclined to pure contemplation , the
other eager to act , to have a hand in things , to be involved emotionally .
Pagina 77
reflect the multiform face of the cosmos , adopts , from the outset , a contemplative
attitude . Similarly , art is an enjoyment of contemplation . Contemplation and
interest thus appear to be two polar forms of consciousness which in principle ...
reflect the multiform face of the cosmos , adopts , from the outset , a contemplative
attitude . Similarly , art is an enjoyment of contemplation . Contemplation and
interest thus appear to be two polar forms of consciousness which in principle ...
Pagina 79
largest number and the best quality of objective data - lies somewhere in
between pure contemplation and pressing interest . Some vital interests that are
not too narrow and oppressive are required for organizing our contemplation ;
they must ...
largest number and the best quality of objective data - lies somewhere in
between pure contemplation and pressing interest . Some vital interests that are
not too narrow and oppressive are required for organizing our contemplation ;
they must ...
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The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention become begins believe body called cause century character classical clear consists contemplation contrary culture definition destiny direction distance drama effect elements essential event everything existence fact feel figures follow French gifts give Goethe hand happening Hence horizon human ideas important individual inner interest less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture play point of view possess possible precisely present problems produce pure reader reality realize reason relation remains seems seen sense sensibility soul space Spanish speak stand style theater things thought tion traditional truth turn understand universe vision vital vocation whole young
Informazioni bibliografiche
| Titolo | The Dehumanization of Art, and Other Writings on Art and Culture Anchor books Volume 72 di Doubleday anchor book |
| Autore | José Ortega y Gasset |
| tradotto da | Willard Ropes Trask |
| Editore | Doubleday, 1956 |
| Provenienza dell'originale | la University of Michigan |
| Digitalizzato | 10 ott 2007 |
| Lunghezza | 187 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |