The dehumanization of art, and other writings on art and culture |
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Pagina 76
It deals with nothing less than the antagonism between action and contemplation.
Two types of men become discernible: one inclined to pure contemplation, the
other eager to act, to have a hand in things, to be involved emotionally.
It deals with nothing less than the antagonism between action and contemplation.
Two types of men become discernible: one inclined to pure contemplation, the
other eager to act, to have a hand in things, to be involved emotionally.
Pagina 77
reflect the multiform face of the cosmos, adopts, from the outset, a contemplative
attitude. Similarly, art is an enjoyment of contemplation. Contemplation and
interest thus appear to be two polar forms of consciousness which in principle
exclude ...
reflect the multiform face of the cosmos, adopts, from the outset, a contemplative
attitude. Similarly, art is an enjoyment of contemplation. Contemplation and
interest thus appear to be two polar forms of consciousness which in principle
exclude ...
Pagina 79
largest number and the best quality of objective data— lies somewhere in
between pure contemplation and pressing interest. Some vital interests that are
not too narrow and oppressive are required for organizing our contemplation;
they must ...
largest number and the best quality of objective data— lies somewhere in
between pure contemplation and pressing interest. Some vital interests that are
not too narrow and oppressive are required for organizing our contemplation;
they must ...
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The Dehumanization of Art and Other Essays on Art, Culture, and Literature José Ortega y Gasset Anteprima limitata - 2019 |
The Dehumanization of Art: And Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
 | The Dehumanization of Art: And Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
Parole e frasi comuni
abstract action adventures aesthetic animal appear artist authentic become begins body called canvas casuistry century cerning character chiaroscuro classical contemplation contrary cornea cubism culture definition DEHUMANIZATION derealized Descartes destiny distance distant vision Don Quixote Dostoevski drama entelechy essential everything existence expressionism fact feel French genre gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ICONOCLASM ideas imaginary imperative impressionistic inner interest less light literary live look Madame Tussaud's magic man's masses means metaphor mind modern art never novel novelist object opposite ourselves painter painting partisan review person personages philosophy picture pleasure poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sense sensibility shipwrecked soul Stendhal style substance things thought Tintoretto tion TOKLAS traditional truth unity Velasquez vital vocation Weimar words young youth
Informazioni bibliografiche
| Titolo | The dehumanization of art, and other writings on art and culture Doubleday anchor books |
| Autore | José Ortega y Gasset |
| Editore | Doubleday, 1956 |
| Provenienza dell'originale | la University of Michigan |
| Digitalizzato | 10 ott 2007 |
| Lunghezza | 187 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |