The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
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Pagina 36
... cubism , etc. , are - in varying de- gree - attempts at executing this decision . From painting things , the painter has turned to painting ideas . He shuts his eyes to the outer world and concentrates upon the subjective images in his ...
... cubism , etc. , are - in varying de- gree - attempts at executing this decision . From painting things , the painter has turned to painting ideas . He shuts his eyes to the outer world and concentrates upon the subjective images in his ...
Pagina 114
... no - the inexorable retreat continues . Not halting even at the cornea , the point of view crosses the last frontier and penetrates into vision itself , into the subject himself . XIII CUBISM Cézanne , in the midst of his impressionist 114.
... no - the inexorable retreat continues . Not halting even at the cornea , the point of view crosses the last frontier and penetrates into vision itself , into the subject himself . XIII CUBISM Cézanne , in the midst of his impressionist 114.
Pagina 115
... cubism of Cézanne and of those who , in effect , were cubists , that is , stereometrists , is only one step more in the internalizing of painting . Sensations , the theme of impressionism , are sub- jective states ; as such , realities ...
... cubism of Cézanne and of those who , in effect , were cubists , that is , stereometrists , is only one step more in the internalizing of painting . Sensations , the theme of impressionism , are sub- jective states ; as such , realities ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
abstract action adventures aesthetic animal appear artist authentic become begins body called canvas casuistry century cerning character chiaroscuro classical contemplation cubism culture DEHUMANIZATION derealized Descartes destiny distance distant vision Don Quixote Dostoevski drama El Espectador El Greco essay everything existence fact feel fin de siècle French genre gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest less light literary live look magic man's masses means metaphor mind modern art never novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture pleasure poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility shipwrecked soul Stendhal style substance Tale of Genji things thought Tintoretto tion TOKLAS traditional truth unity universe Velásquez vital vocation Weimar words young youth