The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 15
Pagina 58
... define his per- sonages . It is the task of science to work out definitions . All scientific endeavor lastly consists in the system- atic effort to leave behind the object and to arrive at its definition . Now , a definition is nothing ...
... define his per- sonages . It is the task of science to work out definitions . All scientific endeavor lastly consists in the system- atic effort to leave behind the object and to arrive at its definition . Now , a definition is nothing ...
Pagina 71
... definition could contrive . It is extremely interesting to watch Dostoevski in his cunning ways with the reader . To a perfunctory observation , he seems to define each of his person- ages . When he introduces a figure he nearly always ...
... definition could contrive . It is extremely interesting to watch Dostoevski in his cunning ways with the reader . To a perfunctory observation , he seems to define each of his person- ages . When he introduces a figure he nearly always ...
Pagina 72
... definitions . The first conceptual image we were given of them is followed by another in which we see their immediate life , independent of the author's definition ; and the two do not tally . At this point , the reader , afraid to lose ...
... definitions . The first conceptual image we were given of them is followed by another in which we see their immediate life , independent of the author's definition ; and the two do not tally . At this point , the reader , afraid to lose ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
abstract action adventures aesthetic animal appear artist authentic become begins body called canvas casuistry century cerning character chiaroscuro classical contemplation cubism culture DEHUMANIZATION derealized Descartes destiny distance distant vision Don Quixote Dostoevski drama El Espectador El Greco essay everything existence fact feel fin de siècle French genre gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ideas imaginary inner interest less light literary live look magic man's masses means metaphor mind modern art never novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture pleasure poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sensibility shipwrecked soul Stendhal style substance Tale of Genji things thought Tintoretto tion TOKLAS traditional truth unity universe Velásquez vital vocation Weimar words young youth