The Dehumanization of Art, and Other Writings on Art and Culture |
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Pagina 58
NO DEFINITIONS We want to see the life of the figures in a novel , not to be told it
. Any reference ... All scientific endeavor lastly consists in the systematic effort to
leave behind the object and to arrive at its definition . Now , a definition is ...
NO DEFINITIONS We want to see the life of the figures in a novel , not to be told it
. Any reference ... All scientific endeavor lastly consists in the systematic effort to
leave behind the object and to arrive at its definition . Now , a definition is ...
Pagina 71
Dostoevski never tires of filling pages and pages with the unending
conversations of his personages . Thanks to this abundant flow of words the
imaginary persons acquire a palpable bodily existence such as no definition
could contrive .
Dostoevski never tires of filling pages and pages with the unending
conversations of his personages . Thanks to this abundant flow of words the
imaginary persons acquire a palpable bodily existence such as no definition
could contrive .
Pagina 72
They refuse to behave according to those alleged definitions . The first
conceptual image we were given of them is followed by another in which we see
their immediate life , independent of the author ' s definition ; and the two do not
tally .
They refuse to behave according to those alleged definitions . The first
conceptual image we were given of them is followed by another in which we see
their immediate life , independent of the author ' s definition ; and the two do not
tally .
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The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention become begins believe body called cause century character classical clear consists contemplation contrary culture definition destiny direction distance drama effect elements essential event everything existence fact feel figures follow French gifts give Goethe hand happening Hence horizon human ideas important individual inner interest less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture play point of view possess possible precisely present problems produce pure reader reality realize reason relation remains seems seen sense sensibility soul space Spanish speak stand style theater things thought tion traditional truth turn understand universe vision vital vocation whole young